Performed with agility a lovely balance of well and lesser known works
... sublime... expressive... well-controlled
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Elgar's Cello Concerto at City Recital Hall
... intense, exciting but refined cello playing... this cellist’s sincere and skilled communication captivated the audience.
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Elgar's cello concerto hits right romantic note for Omega Ensemble→
... lush, full-bodied tone and first-class reading, along with some superb playing by [Omega]...
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Omega Ensemble Interplay was superb in a varied and engaging program.
From the first chord, Teije held the audience’s attention with his commanding stage presence and sonorous and expressive performing.
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Beethoven's Seventh / Omega Ensemble→
The opening movement was delivered with a robust energy which made the most of the contrasts between solo, small group and tutti passages. In the slow movement flautist Lisa Osmialowski displayed subtle legato playing over a warm cushion of lower instruments
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Omega Ensemble @ City Recital Hall - Beethoven's Seventh→
What was striking however, was the clarity of the sound, the high levels of musicianship and the impressive way in which this group filled a large venue that I’m used to hearing much larger ensembles perform at.
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Omega Ensemble give Beethoven favourite a Klezmer workout.→
Rowden and John Lewis’s clarinets chirped in the scherzo over the burbling bassoons and the horns rang out their joyful calls in the last movement.
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Omega Ensemble @ The Utzon Room, Sydney Opera House→
David Rowden gave a commanding performance of the substantial material on offer. His virtuosic display was varied, covering beautiful tone and line through to dazzling bravura.
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Review: Omega Ensemble shined to a packed Utzon Room with a wonderful backdrop
The first movement features difficult runs on the piano in which the pianist, Maria Raspopova shone. The cello was prominent in the introspective Adagio while the clarinettist, David Rowden, shone in the finale, a set of variations on the above song.
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Review: Brahms and the Clarinet (Omega Ensemble)
The Brahms, of course, was the main fare of the afternoon and the Ensemble combined tightly and impressively throughout its four movements. Perhaps the best description of this work is contained in Eusebius Mandyczewski's letter to Brahms: “It’s as though the instruments were in love with each other.” That feeling certainly came across in this performance.
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Review: Lee Abrahmsen and Omega Ensemble at the Melbourne Recital Centre
Rowden’s even velvety tone and musical shaping coupled with Raspopova’s responsive and assured accompaniment made it a constant pleasure.
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Review: Four Last Songs
This was a stand-out delivery from a difficult work and demonstrated Omega’s ability at navigating the most difficult and tricky musical passages, while at the same time making them seem the easiest thing in the world.
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Review: Selby and Friends and Omega Ensemble deliver magical sounds at City Recital Hall
"Soprano soloist Lee Abrahmsen was the brightest of the many highlights in Omega's meaty program of Wagner, Mahler and Strauss."
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Review: Lee Abrahmsen shines with Omega Ensemble
"You would think with a piece of this complexity a conductor would be necessary but the ensemble handled it magnificently without. It always felt secure and tight. The piece was a lot of fun; congratulations both to Ford and the ensemble. It deserves to be part of the repertoire, I hope to hear it again some time."
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Review: Four Last Songs - Omega Ensemble and Lee Abrahmsen
It was a tremendously sophisticated performance by pianist Maria Raspopova, violinist Ike See, violist Neil Thompson and cellist Teije Hylkema. The ensemble was taut and the performance was inspired with a rapturous range of colour and dynamic.
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Omega Ensemble gets Psycho!
Rowden once again demonstrated his ability to effortlessly perform lyrically and with sophistication.
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Omega performs Herrmann
... a demonstration of the fine programming and the bright, bold and beautiful sound that Omega produces time and time again.
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Omega Ensemble serenades the Sugar Plum Fairy
“... the performers superbly captured and conjured the imagery of the ballet...”
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